High detailed 3d building.
Previews were rendered with vray mat and light.
The file has all lightning setup and texturing ;multi layer phososhop PSD file included
It was at the beginning of the 1920s that the Bauhaus architects permanently distanced themselves from Expressionism and moved closer to "New Objectivity". Two artistic movements influenced this movement: Dutch neoplasticism (De Stijl movement) and Soviet constructivism.
The group of neoplasticism gathered in 1917 under the leadership of the painter and poet Theo Van Doesburg, founder of the eponymous magazine of the movement (De Stijl). Van Doesburg and Cornelius Van Eesteren present the neoplasticist ideal, in 1923 in Paris, in the gallery of the "Modern Effort". We can discover a series of projects of houses built according to an asymmetrical arrangement of plans painted with primary colors, which is not without evoking in three dimensions the abstract compositions of the painter Piet Mondrian. This rigorous and abstract approach is fully realized in the Schröder house, built in Utrecht by Gerrit Rietveld in 1924. This house, made of brick and wood for the walls, and concrete for the foundations and balconies, contains an interior space transformable by sliding partitions and possesses another manifestation of modernity.
Constructivism, born in Moscow just after the First World War, sees avant-garde artists enthusiastic about the October Revolution and the construction of the new communist society. Due to the economic difficulties of the USSR in the 1920s, most of the constructivist architectural speculations to which the painter Kazimir Malevich contributed, remain in the study phase. The project of a Monument for the Third International, conceived in 1920 by the abstract sculptor Vladimir Tatline, remains the emblem par excellence of the constructivist architecture
This work must express the triumph of new technology on traditional masonry construction, as well as the revolutionary momentum of Soviet society. Countless other projects on paper bear witness to the creative effervescence of Soviet architects of the 1920s: the Pravda building in Leningrad, by the Vesnine brothers (1923); skyscraper for Moscow, by El Lissitzky and Stam.
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