3d building 215 3D Model (max)

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3D Model by kanhtart

High detailed 3d building.
Previews were rendered with vray mat and light.
The file has all lightning setup and texturing; multi layer photoshop PSD file included

Until the beginning of the nineteenth century, the way of making the mortar was almost always abandoned to the workers. By comparing the mortars of the ancients, and especially those of the Romans, with the mortars of modern times, we suppose that the former was better. Several builders then announce having found the secret of the Roman mortars, but others suppose with a reason that has remained through time only the constructions made with good lime in good mortars. As we can see, the term technical innovation at the end of the eighteenth century has a special meaning. This is indeed generally attached to an archaeological discovery (we rediscover Pompeii), which is both source and surety. Antoine-Joseph Loriot, for example, invents a mortar of which he claims to have deduced the process of the various interpretations which he thinks he can give to the works of Vitruvius, Pliny, and other ancient authors who treat mortars. "Antiquity is a manipulated material."

With the nineteenth century, chemistry experienced enormous quantitative progress with Antoine Lavoisier who promoted it to the rank of exact science. Linked to the industrial revolution, progress in metallurgy, control of industrial furnaces, fuel diversification benefit all sectors of the industry. It is heated to decompose the material, to obtain new materials. Finally, the need for major infrastructure works (canals, ports, town planning, fortifications), spurred by a climate of competition for the economic and political supremacy between England and France, led to the search for new mortars. We heat to produce in a frantic way.

The knowledge of the reactions involved in making and taking lime, the use of which has changed little since Antiquity, is gradually being integrated. The scientific interest lies in the lime taking underwater, which the Romans obtained by adding pozzolana or tuileaux to fat lime. They are given the successive names of aquatic cement (and improperly the commercial name of cement by James Parker in 1796), the lime Germans for water. It is in Vicat that we owe the name of hydraulic lime.

In 1796, James Parker discovered on the island of Sheppey, in Great Britain, a sufficiently clayey limestone to give after cooking at 900 ° C a quick setting natural cement. He obtained a patent entitled "A certain Cement or Terras to be used in Aquatic and other Buildings and Stucco Work". He sold his patent to Samuel Wyatt who, along with his cousin Charles Wyatt, produced a cement under the Parker & Wyatt brand. In 1798, an advertisement gave this cement the commercial name of novel cement. Thereafter, cement is made all over the world, often from local marl, and its name translated into all languages. Exceptions made from these local differences, all Roman cement designate so-called natural cements. Stuccoers recommend the use in the manufacture of coatings and moldings (and in particular the molding template). Roman cement is the basic material for the exterior ornamentation of the historicist and art nouveau architecture of the nineteenth and early twentieth centuries, and thus makes an essential contribution to the aesthetics of the urban centers of many European cities166. Roman cement is also


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  • Vertices749812
  • Polygons852688
  • GeometryPolygonal
  • AnimatedNo
  • MaterialsYes
  • RiggedNo
  • TexturesYes
  • File-formats3D Studio Max file (.max)
  • PluginsV-Ray
  • NID29236
  • LicenseRoyalty Free
  • Copyright TransferredNo
  • ResellableNo
3D Model ID: 196329

Published on: April 5, 2012