High detailed 3d building.
Previews were rendered with vray mat and light.
The file has all lightning setup and texturing ;multi layer phososhop PSD file included
Architecture is the will of the time translated into space. These words were uttered by one of the most influential architects of the 20th century, Mies van der Rohe. In his Work, he emphasizes the characteristics sought by the modern architect at the beginning of the 20th century. Constantly on the quest for renewal, he will seek inspiration for new plastic forms in the society around him.
In England, France, Germany, and also in the United States, pictorial and architectural art practices reinvent themselves and interact in many ways. From 1870, a particular force blows on Germany, quickly making this country a reference in modernist functionalist architecture. Materials born of the Industrial Revolution such as iron and glass offer new plastic possibilities that greatly stimulate the ingenuity of German architects. Offering architects new plastic qualities, reinforced concrete becomes a material of choice for builders. Very strong and resistant to the weather, its combination with the iron allows pushing modern architecture towards new aesthetic forms. ViolletLe-Duc raises the first characteristic that the building must present to fulfill the function for which it is intended.
Functionalism will be a popular motto for many architects, including Walter Gropius. After several years under the teaching of Behrens, Gropius decided to embark on his own architectural research, wishing to explore a language a little less classical than that of his master. We will begin our comparative analysis with the Fagus factories built in 1911 in Alfeld-derLeine, and then discuss the Central Pavilion realized for the exhibition of Deutscher Werkbund of 1914 in Cologne.
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