High detailed 3d building.
Previews were rendered with vray mat and light.
The file has all lightning setup and texturing ;multi layer phososhop PSD file included
For a long time, architecture has been regarded as a work of art in the same way as painting and sculpture. It was, therefore, difficult to understand its essence space, when it was perceived as a two-dimensional experience. Thus, through the centuries, the understanding of architecture is carried out according to different measures, different visual considerations. The awareness of the experience of space by the viewer will be transformed over the years. The development of architecture and the use of a new hardware language change the architectural approach
At these earlier times, the experience was limited due to the architecture offered to the viewer, symmetrical and unsurprising. The peculiarity of modern architecture is its free plan having, the main characteristic of asymmetry. At the Bauhaus complex, the body has to move in space to understand the building. Space thus presents itself as a whole and essential material. Spatiality requires participation on the part of the viewer, it structures its experience of architecture. For premodern buildings, space is rather enclosed in a monumental technical realization. It requires no participation of the viewer, other than to contemplate
One could thus wonder, in the light of the development of architecture through the years, whether space can be considered as a material, or more like an absence of matter. Ancient architects built their structures by considering the material. By shaping the material properly, one could free up and create space. In the modern period, one proceeds with the same intention. The difference, however, comes in the process where space is reflected from the moment the project is set up and not as a result of good constructive technique. Gropius considers spatial development as soon as it draws plans for the Dessau complex, both outside and inside.
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