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The development of Art Nouveau in art was preceded by a period of formation. The period of the early development of modernity is called modernism. This current was formed in different years, in different countries and by various artists, as a rule, who did not know each other but connected by common ideals and ideas. The directions of modernism were not connected with the national traditions of the countries in which they developed. Cubism in France had nothing to do with the culture of France. A striking example of this discrepancy is the Eiffel Tower, which, according to the intelligentsia of that time, did not fit into the architecture of Paris and caused a storm of indignation. The detachment of modernism from national traditions laid the foundation for an "international style" that has no boundaries. A great influence on modernity was influenced by the East, namely Japan. The rejection of national traditions was perceived as a desire for cosmopolitanism. The first modernists were artists who worked at the turn of the XIX century, who believed that the spiritual revolution, which, in their opinion, inevitably arose from the crisis of the old world, demanded a rejection of socio-political radicalism. The new ideological platform has become a spiritual revolution as a qualitatively new consciousness, a new life understanding. It was based on the intuitivism of A. Bergson and N. Lossky, the phenomenology of E. Husserl, the psychoanalysis of Sigmund Freud and Carl Jung, the existentialism of Søren Kierkegaard, Martin Heidegger, Karl Jaspers, Nikolai Aleksandrovich Berdyaev, etc. The theoretical basis of the future style was formulated by Williams the development of the ideas of early modernism was engaged in many artists of the premodern era
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